As the San Diego Asian Film Festival closed its first leg this week, and the Boston Asian American Film Festival kicks off tonight, I do want to take a minute to remember one of the VIPs on the scene.
I moved to Washington DC in 2000, a month after finishing college because I knew I had to leave Boston behind to grow as a person. I lined up a very low-paying job on the civil rights scene and packed up the U-Haul. Arriving Wednesday night and starting work Thursday morning, I had close to no friends. I mean, I had friends, but not those who i developed on my own. It was all co-workers, other civil rights scenesters, and such and such.
A big part of me regretted leaving my family, and I battled homesickness by drinking heavily. I also gained about 10 pounds that summer. But it wasn’t all destructive behavior; I also caught wind of a group of people starting up an Asian American film festival in DC, and I decided to at least attend a meeting to see what was up. (It was college when I developed a love of writing and performing, but also filmmaking. I even made two short movies…which both…uh, no longer exist I hope.)
The guy leading the meeting was George Lin, a very unassuming but friendly guy who had dreamed up the DC APA Film Festival with a buddy one day and simply turned it into a reality. There was no self-doubt in this guy, he very strongly believed in his own abilities and those of the people around him to simply not get caught up in bull. George knew more than anyone that if you wanted to make it happen…shoot, you could just make it happen. George gave me a ride home that night, and in fact many nights after, as it seemed everyone else lived in Virginia while I was the only one in DC. George lived in Maryland, so he was stuck with the job of getting the little kid home safely. He was always a calming presence and capable of giving others strength without them knowing it. (I specifically remember his pep-talk to me on Election Night 2000 before dropping me off at my apartment.)
I was heavily involved with APA Film that year, and it was a great welcome to DC. APA Film, and in particular George, helped me think larger than my own just-out-of-college world. It was actually the opening night ceremony that I started down the road to an actual career as a spoken word performer; before that, it was just a hobby. (Another story for another time perhaps.)
That initial experience with George and APA Film, helped me feel I could actually follow through on bringing ideas to fruition. Some attempts have been less successful than others, but I never lost the nerve to take the first step. During my time in DC, I was a part of many nascent groups from the failed (APAREN) to the successful (DCAPJ) to the legendary (TLC – I see yall!). By 2002, I was thinking about what it would take to create a collective to support Asian American and Pacific Islander community-based artists in the DC area, but life intervened, and I ended up back in Boston.
And within a month of my return, we held the first ever Boston Progress Arts Collective meeting. And look at us now, still going strong – in fact, stronger – 6 years later. And without exaggeration, BPAC’s very existence was inspired by the work George put in to making his little idea a reality.
To nobody’s and everybody’s surprise, George left his job as a military scientist in 2003 and moved to San Diego to chase his dream of being more involved with not only showcasing, but producing films. His position as Programming Director at SDAFF made him a legitimate “bigshot” (haha) and helped draw more people into his world, no doubt making their lives that much brighter. His passion for our communities and for supporting arts and artists culminated in his co-producing the film Before We Close.
My unofficial tagline for any project nowadays is “we are only limited by our imagination.” George wasn’t the only person who exemplified this mindset, but he was probably the best at it. For many of us, thinking outside the box means thinking ourselves into another box. But George could leave and return to the box as often as he wanted, and always be wearing that same expression, that looked like it could break into full smile at any time. And every time, he would enthusiastically tell you where he had just been, and how he couldn’t wait to go back.
George passed away a few days ago at the age of 37 after a two decade long battle with illness. Rest in power bro.
In lieu of flowers and gifts, the family requests that charitable donations be made to The George C. Lin Memorial Fund established by his family which will provide grants to institutions that provide scholarships to students studying film, and for pheochromocytoma research and education. Please send checks to The San Diego Foundation, 2508 Historic Decatur Rd. Ste. 200, San Diego, CA 92106. Please write the name of the fund, The George C. Lin Memorial Fund, on the memo line of the check.