Why I Love This: Jay-Z's "99 Problems"
October 2nd, 2009 by gilesFor new readers (all 2 of you) and old readers (hi mom!), some background: I used to write about things I disliked in this space, and called it a series entitled “Sorry, You Suck” – but I’m switching the style. In my very last haterific edition of that series, I proclaimed ultimate suckage for myself and am now implementing a whole new M.O. here.
From now on, I’m gonna try talk about stuff I love. Solid.
Back in the day. Ice-T released a song called “99 Problems,” in which he talks about being a pimp and how
various women in his employ – many referred to as “b-tch” – are not causing him problems. So the Jay-Z song of the same name uses a clever turn of phrase that is really not that clever after all, using each verse to refer to someone or something as a “b-tch,” but none of those times refers to a woman, instead it’s the music industry, a female police dog, and punk dudes. And while this does not represent a perfect upending of misogyny in our culture, it does indicate something.
On a meta level, it’s as though Jay is challenging the listener to hear the word “b-tch” and not assume its most sexist meaning; maybe it works, and maybe it doesn’t exactly work. Regardless, it can be seen as a response to the popular claim (made mostly by people who have never actually listened to hip hop) that rap music is all about b-tch this and b-tch that. Jay-Z was very aware of his standing as one of the few rappers mainstream America had heard of, so it was as though he wanted this song to be derided by cultural critics who would proclaim his sexism, only to be able to turn around and say I wasn’t talking about women; if you think that, maybe you’re the one with misogyny issues.
Clumsy as it may be, it’s an authentic attempt to stand up for hip hop culture by someone who was probably its best spokesman because he could speak the language of corporations and men in suits. (Check out his recent appearances on Letterman and Oprah if you don’t believe me.)
In addition, this track was produced by the one and only Rick Rubin, a producer who has worked with plenty of hip hop legends like LL Cool J, Run-DMC, and the Beastie Boys, but also with the most highly-regarded white folks in the industry like Johnny Cash, Tom Petty, Mick Jagger, and the Beastie Boys. In the documentary/concert film “Fade to Black,” we learned Jay recorded the whole joint in Rick Rubin’s West Coast mansion all surrounded by like bear statues and palm trees and Mike D of the Beastie Boys.
Surprise surprise kids, I don’t get high. So I was skeptical going into this movie because I was concerned it was going to be only jokes that are funny to stoned people. Un/Fortunately, I was wrong. The jokes were not funny to any people. The one character I thought was really good was the Danny Mcbride character Red. I liked how he used the phrase “bros before hoes” twice in the same movie, and both times it was totally wrong for the context.
Definitely, Maybe
Sometimes, it’s hard to trace the impact of any monumental event on one person’s life. But it may be easier for me in this case, for reasons I’ll explain here.
Got this from the
What up world?
10. She’s Out of My Life (1979)
When I was 6 or 7, my dad bought a cassette tape at the mall while we waited for my mom and sister. We sat in the Cutlass and grooved to it.